Posts Tagged ‘elizabeth’

11
Jun

Werewolf Shadow – review

   Posted by: Taliesin_ttlg    in Taleisin's Vamp Movie Reviews

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dvdDirector: León Klimovsky

Release date: 1971

Contains spoilers

Werewolf Shadow, also known as Werewolf Vs the Vampire Women or La noche de Walpurgis, is another Paul Naschy as Waldemar Daninsky flick – in many respects the Spanish equivalent of Larry Talbot, the man cursed with the mark of the wolf.

It was the first Paul Naschy werewolf flick that I saw and thus, despite problems, left an indelible stamp upon my psyche. The storylines between the various Daninsky movies are, often, quite similar – indeed Naschy directed a re-imagining of this flick in 1981 as the Night of the Werewolf – but being the first Naschy vehicle I watched it always seemed like the most original.

It was unfortunate then that the Anchor Bay release, that I own, whilst being actually a very decent print of the film is saddled with unfortunate English dubbing. I am sure this would be improved by viewing in the original Spanish, but hopefully I shall rise above such petty consideration carried on the atmosphere that Klimovsky manages to pepper through the film.

the werewolf rebornWe start off in an unnamed town where a police constable and a doctor (Julio Peña) are to do an autopsy on one Waldemar Daninsky. The (unseen) police inspector has insisted that he wants the results right away, hence the autopsy being carried out at night. This is one of the scenes where the atmosphere – that Klimovsky was known for producing – failed and it is down to the fact that, whilst they say it is night, it is clearly shot during the day. That aside, the doctor does not believe in werewolves and removes the silver bullets that have pierced Daninsky’s heart (through the centre of the pentagon scar on his chest). Daninsky comes back to life and changes – killing the two men and then getting a convenient passing hottie (María Luisa Tovar), in the woods, and managing to rip her blouse as the all too red blood spills down her breast. Queue the really funky music.

supping on virgin's bloodElvira (Gaby Fuchs) is in a bar with her boyfriend, the police inspector Marcel (Andrés Resino). He is due to go to Istanbul and she, along with her friend Genevieve (Barbara Capell), are to work on their thesis. The thesis is about black magic and they have come across the figure Countess Wandesa Dárvula de Nadasdy (Patty Shepard). She was a Hungarian Countess and Satanist who stayed young by drinking virgin’s blood and was killed by a lover by being stabbed through the heart with a silver cross and then buried in France. Clearly referential (if historically complete bunkum) to Báthory; Nadasdy was the historic Countess’ husband’s surname. Elvira and Genevieve intend to find her grave.

the galsTheir trip does not get off to an auspicious start – getting lost en-route to the village their research has suggested as a starting location and virtually running out of petrol. They find an old house and investigate but it is a shell and then they are approached by Waldemar Daninsky. With some absurdly apparent ease the girls agree to stay at his place for a few days until his handyman, Pierre (José Marco), comes out and can get them some more petrol. Over dinner they tell Waldemar about their quest – he reacts to Wandesa’s name – and then they retire to bed.

Elvira is worried – there is no lock on the door and Waldemar seems odd. Genevieve seems less worried and has taken a sleeping pill. Elvira is dropping off to sleep when the door handle moves, suddenly a woman – Elizabeth (Yelena Samarina) – is in the room, she warns Elvira away (before the next full moon), pretends to throttle the girl and then tries to feel her breasts up. Next thing you know Waldemar is sat above her, she is fine and he is sorry for his mentally disturbed sister. It is the start of a sea change in Elvira’s attitude. From distrusting Waldemar, before trying to go to sleep, she is attacked, by a woman Waldemar failed to tell her about, and suddenly she not only trusts the man but falls irrevocably in love with him.

Paul Naschy as WaldemarHe is out with Elvira, the next day, trying to explain how his sister became mad when Genevieve finds a building with shackles and blood up the walls. Elizabeth attacks her. Later, as Elvira dresses her friends wounds (and explains to Genevieve that its okay because the shackles and blood were used for animal butchery, whereas it is really where he is locked to save innocents from his wolfish habits), Waldemar tells his sister to leave the girls alone – they are his main hope. He looks at their papers and locates, he believes, the grave. Hi Ho, it’s off to work they go, with a spade!

They have indeed found the grave, a stone covered affair and they soon have that cover off… which seems a little too much like desecration as well as being a little too physically undemanding. Elvira obviously agrees (in respect of the desecration) and leaves the other two opening up the interior coffin whilst she goes to the nearby ruined chapel. In the coffin are bones and the silver cross. Genevieve removes it, cutting her arm in the process and getting blood all over the skull. When we later see the depth of the gash in her arm we wonder how she managed without hospital treatment, indeed how she managed not to bleed out there and then. Waldemar reburies the corpse – in soil, not by replacing the stone lid.

hand from the graveMeanwhile Elvira sees a monk in the ruined chapel and calls out to him. He turns to reveal a rotted face. I’d have said this felt like a tribute to the Blind Dead but as this was contemporaneous with the first film of that series then I guess it was just coincidence. Waldemar comes to the rescue, stabbing the monk with the silver dagger, who for his part seems to crumble to naught but robes. What he was is beyond me. Despite all these goings on, the girls go to bed as per normal that night but, then, Genevieve decides she wants a drink of water and goes to the kitchen. Out in the wilderness, the use of soil for the reburial allowed the director to have a nice hand from the grave shot as our vampire comes back from the dead.

feeding on GenevieveGenevieve is summoned by Wandessa and goes to her willingly. When the vampire feeds from the gash in her arm she seems ecstatic. Soon she is wandering along a dry ice filled corridor trying to lure her friend off into the world of lesbian vampirism. Luckily for Elvira (though perhaps not the viewer of the film) Waldemar is able to ward her off with the silver cross. So, what is going on? Clearly Wandessa is back (and is likely to do a ritual on the upcoming Walpurgis Night that will bring an age of vampiric rule upon the world). Waldemar will try to stop this, so why allow the cross to be removed in the first instance?

conveniently in loveWell, Waldemar wanted the cross as it can destroy him – if he is stabbed with it by one who loves him, which Elvira conveniently does with all her heart. Of course Genevieve wants to draw Elvira into her vampiric web, whereas Wandessa seems intent on sacrificing her (virginity is clearly optional). Throw in the handyman Pierre – as mad as a box of frogs and absolutely intent on kidnapping and raping Elvira, and also the arrival of Marcel, convinced that something is afoot and intent on rescuing Elvira (from Waldemar) and we have all sorts of shenanigans occurring.

dream sequenceIf my write up seems a little glib in places it is because the film itself deserves it in places. Forgetting, as I promised to try and do, the awful dubbing the actual story is full of inconsistencies and cliché. The ease by which Waldemar manages to have Elvira fall for him is one such example. That said there is some marvellous imagery one example being a dream sequence in which Elvira is stabbed in the throat and the vampires drink her blood from a chalice.

disposing of sisLore wise we know the vampires come out at night and are want to attack young women. The silver dagger must be used to destroy Wandessa, according to the legend related at the head of the movie, but this is not the case with other vampires generally and proves false for her too. Elizabeth is killed and Waldemar takes her corpse out into the woods. He digs a shallow grave, stakes her through the heart and then beheads her to prevent her return as the living dead.

accidental woodGenevieve bites Elvira and leaves her to turn. She is accidentally staked by Waldemar – the old falling onto wood ploy – which cures Elvira of the vampire mark. As for Wandessa, it appears that being savaged on the neck by a werewolf is actually enough to return her to dust and squirming maggots. The silver cross is actually only used to prevent her fleeing the battle. There isn’t much else suggested for vampire lore.

funky fangs r usThe effects can be a laughable and the film can be a tad slow in places, but this film has an ineffable something. It is certainly one of my favourite Naschy films. 6.5 out of 10, despite its faults.

The imdb page is here.

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16
Apr

Vamp or Not? Horror Hotel

   Posted by: Taliesin_ttlg    in Taleisin's Vamp Movie Reviews

dvdWhilst Horror Hotel (an awful title), also known as City of the Dead, has been in my awareness for a while I had simply thought it a witchcraft movie; one to see as Christopher Lee is in it but there was no rush. However my friend Leila mailed me and suggested it was prime for a ‘Vamp or Not?’ Given the tagline of, “300 years old! Human blood keeps them alive forever!” you can see why. I dutifully downloaded it from the archive.

Firstly, let us look at the lineage of the film. Made in 1960, it was the first from Amicus Studios – though you will not see their name on it as they were called Vulcan Productions at the time. The director was John Llewellyn Moxey and it was his feature debut. As well as a long standing ‘jobing’ director on TV, Moxey later directed the Night Stalker and I, Desire.

Patricia Jessel as Elizabeth SelwynThe film begins in 1692 and the witch Elizabeth Selwyn (Patricia Jessel) is dragged from her home to cries of ‘Burn the witch! Burn the witch!’ She calls out to Jethro Keane (Valentine Dyall) but, when asked if he has consorted with her, he denies her. She is dragged to a stake. However Keane has not forsaken her wholly, below his breath he prays to Satan to deliver her. We hear of the sacrifice of someone called Abigail, and that the fires will cleanse Selwyn’s soul of its lust for blood.

Alan Driscoll and Nan BarlowProfessor Alan Driscoll (Christopher Lee) is telling the story of the burning of Elizabeth Selwyn in the village of Whitewood to his class. One of them, Bill Maitland (Tom Naylor), is quick with comments but then he is only there as his girlfriend Nan Barlow (Venetia Stevenson) is taking the class. Driscoll asks her to stay behind for a moment. He is very taken with the aptitude that her work is showing and she admits that she wants to spend some of the upcoming vacation staying in a New England village, researching the town records and seeing what she can dig up.

He recommends Whitewood and gives her directions. He suggests that if she mentions his name to Mrs Newless of the Raven Inn she’ll get a room. Her brother Professor Richard Barlow (Dennis Lotis) comes in and she tells him of her new plans. He reminds her that they were meant to be at cousin Suzy’s birthday but she insists that she’ll be there for the event. It is clear that Dick, as he likes to be known, has no time for superstitious mumbo jumbo.

So, leaving Dick and Bill behind she heads off to Whitewood. Now I don’t intend to recount the witchcraft aspects that we witness except to say that we have a variant of the spectral hitchhiker, who happens to be Jethro, and Mrs Newless is clearly Elizabeth Sewell. We discover that Whitewood is perpetually shrouded in fog, that Driscoll hails from the town and that a blind priest (Norman Macowan) still maintains the rundown church and his granddaughter, Patricia Russell (Betta St John) has just moved to town since her grandmother died.

into the trapIn fact Patricia lends a book to Nan, who discovers that witches would lure victims by taking something belonging to them (in her case, for yes she is lured, a bracelet) and leaving behind a dead bird and a sprig of woodbine. They would then sacrifice the lured one and drink their blood at the strike of thirteen. The sacrifices started again some three years after Elizabeth was burnt at the stake and witnesses swore she had returned. There is a hatch in her room in the inn and she opens it when she sees hooded folks wandering around outside her window… as you do.

making a sacrificeShe is grabbed and when the church bell strikes thirteen Elizabeth sacrifices the girl. As the knife swings down we cut to Suzy’s cake being cut (and of course Nan is overdue). However we are quite a way into the film and the film does a Psycho here by switching the main character perspective, in this case from Nan to her brother Dick. Bill has him ring the inn but, as it is not listed, they call the police.

geeting the scoop from the RevLong story, avoiding the bits that have no vampiric element, short; Dick ends up in Whitewood having met Patricia. We discover through her grandfather that the witches maintain their eternal life through two blood sacrifices per year one on Candlemas Eve (when Nan was killed) and the other on the Witches Sabat – that night. Of course Patricia is the next target. The old priest also has the way of killing the witches (apart from stopping the sacrifice, which in itself will kill them as they will not get the required blood on time).

killed by the shadow of the crossThey can be killed by the shadow of the cross, and the priest tells Dick an incantation also. It appears that any old cross shadow will not work – just as well as they do like to traipse through the graveyard. But say the incantation (which I guess tells the universe that you are wielding the cross as a holy weapon) and the shadow causes the witches to burst into flames. Alan Driscoll – we discover – had been burnt as a witch during the witch burnings.

Christopher Lee as Alan DriscollSo we have a group of witches, some of them certainly risen from the grave (Elizabeth and Driscoll). They must make two sacrifices to Satan per year and, importantly, drink the blood of said sacrifice – admittedly this is within ritual strictures. This maintains their immortality. During Dick’s rescue of Patricia he discovers that they are quite impervious to such mortal weapons as guns. However the cross, when wielded with purpose as established through an incantation, will burn them. Fail to sacrifice (and thus feed) at the correct time and they die, reverting to the form they had when they died, for example burnt.

dead witchesThis all sounds very vampire genre and whilst we do not see blood drinking that was not uncommon for when the film was shot, even with vampire films. The film itself is dripping with atmosphere – well it would be being in black and white with all that fog – but a lot of its power comes from Patricia Jessel’s performance as the witch who has a fine line in stares. Not up there with, say, Black Sunday but definitely worthwhile and I would say one of those witchcraft films that strays most definitely onto vampiric territory.

The imdb page is here.

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dvd set, episodes 1-12Directed by: Do-Cheol Noh

First aired: 2005

Contains spoilers

Little known in the UK, Hello Franceska was a situation comedy that took its native Korea so much by storm that, I understand, there was a spin off animated series and musical. I have mentioned this before in an article For those we can’t review (in which I used the name it had been advertised on e-bay under, ‘Hi, Francesca’). The article was about some of the non-subtitled, non-English titles I had, and I had the first 12 episodes of this in Korean only, but in a very nice coffin shaped box. Some sourcing later and I have been able to watch this subtitled.

The series, as I watched it, wasn’t technically perfect. Some of the outside shots noticeably had visible boom mikes (on one or two occasions) – though as they started to deconstruct the series in a very Monkees like way, with characters commenting on the scripts, crew appearing to comment on acting ability and even the script writer appearing as himself playing a character, that became less of an issue. There was also the concept of a laugh track (mercifully removable on DVD) that for the first few episodes had a “Whooo track” if I can call it that, with a whoop going up (canned) when something exciting or shocking was supposedly happening. Luckily they quit with the Whoops eventually. However, I was nearly – at first – underwhelmed with the vampire aspect. Let me explain.

the vampires arrive... in the wrong countryThe first episode begins with a castle dominating the Romanian landscape. A voice over tells us how their 2000 years of history is at an end, how humans no longer fear vampires and want to see them become extinct. The castle is their last sanctuary but that is no longer safe and so they have to go to vampire safehouses around the world. The voice is that of Great Andre and we then see a group of vampires land in Korea, thinking it is Japan. They are Franceska (Hye-jin Shim), Elizabeth (Ryeo-won Jeong) and Kyeon (Kyeon Lee). Kyeon drags a coffin.

Du-il is near deathMeanwhile perennial loser Du-il (Du-il Lee) is proposing to his girl. She turn him down due to his lack of prospects and, when he suggests she might keep the ring, she refuses that also. He throws it into some trees as, if she won’t have it no woman shall. Later he is in the trees trying to find it as it cost a fortune. He sees it in branches and tries to get it, falls and badly twists his limbs in the fall. The vampires come past and he asks for help, Franceska feeds upon him.

Great Aunt Sophia awakensSuddenly Du-il is whole and up but a rumbling disapproval is coming from the coffin. We had earlier seen the hand of Great Aunt Sophia (Seul-gi Park) emerge and grasp Franceska by the throat when they told the coffin they had got on the wrong boat and ended up in Korea. It becomes clear that Great Andre has forbidden feeding upon humans, much less turning them. The coffin explodes open and Sophia is a 16 year old looking girl… the problem is Du-il is now a vampire, however he does have an apartment.

Du-il has fang marks on his neckHere is where the lack of vampire activity kicks in. They obviously can develop fangs – Du-il has fang marks on his neck – but we do not see a fang for the majority of the show at least. As they are not feeding on blood, they eat normal food (nor does Du-il develop the thirst for blood that one would commonly associate with a new vampire). We discover later that holy objects have no effect on them and Du-il opens his curtains to discover that sunlight does not effect them, nor does garlic. They can, however do funky things with their eyes.

Kyeon's laser eyesTheir eyes will flash red, very occasionally. There is an early joke with eyes flashing red and the show entering a flashback. The implication as it happens is that it is some sort of telepathic sharing of memory but it becomes apparent that only the one remembering is seeing the memory, it was a nice play with conventions. Kyeon can produce laser like light from his eyes but it is completely harmless and gives him a headache.

Ryeo-won Jeong as ElizabethThese are just not very vampire like vampires (at first); they might have been anything not fitting in to society and the programme seems more like Third Rock from the Sun with Addams Family chic. Comment is made about their Western names being unusual (Elizabeth uses the name Ryeo-won at one point, being of course the actress’ name) but the reason why a Romanian would look Korean is simply ignored. The characters, being ‘non-human’ are able to be parodies without the audience losing faith in the show. Great Aunt Sophia poses as a child but is a harridan at times and it is without a doubt a great performance all the way through by Seul-gi Park. Elizabeth is a self-absorbed fashion aficionado.

Hye-jin Shim as FranceskaFranceska is a gambling addicted, axe wielding scary woman – with a heart of gold and a habit of cooking anything that moves. Kyeon is stupid, often referred to as chicken-head he was fed on chicken blood as a fledgling vampire, due to a shortage of human blood, and has suffered the curse of the chicken. He has a snaggletooth (I think it was natural to the actor) that looks like one fang never withdrawn. Du-il is obviously the humanising factor, the newly turned who has to work to support the other vampires and is shocked by their unconventional behaviour.

Park He-Jin is one of the regular human charactersThere is a range of human characters that come into the show. The main one is Park He-Jin who becomes their landlady at first. A self-absorbed gold digger with five ex (dead) husbands and a habit of using the word ‘situation’ (in English) as a catchphrase. She falls for Kyeon – due to his stupidity – and is involved in the lives of the vampires one way or another right through to the series finale. Other human characters recur occasionally but consistently and gain their own sub-plots.

The Great Andre makes his entranceOther vampires that come into this are Victoria, a vampire warrior, and Andre. The leader of the vampires can see into the future (3 seconds ahead), is a little short and keeps blowing any money they gain on failed bets. Once again we see little in the way of vampiric activity but the show is absorbing. Some of the humour was lost on me as it was clearly cultural or involved cameos by those famous in Korea but unheard of in the UK but, for the most part, the crazy characters took this forward.

Kyeon is the stupid characterIt was, however, going to be little more than an honourable mention until the last ten episodes when the vampiric activity was turned up a notch. It began with a vampire wedding, and all the guests were vampires (actually they were almost zombie like but we’ll let that pass). In fact there was a play with fang lore at this point when the bride puts in rubber fangs (at first) to be traditional but is talked out of it as no-one does that anymore. Then Kyeon is run over. All the way through the vampires have stated they can’t die (I am sure there are ways but that is not explored). Kyeon is broken but suddenly fixes and, for a second, actual fangs appear.

Great Andre guards the secretAt this point a vampire secret is mentioned (it has been hinted at previously) but not revealed. The show keeps it hanging over the finale episodes, and we know its substance is the reason for the vampire doom. I did think it was going to be much of a nothingness, but actually, when finally revealed, it was quite good (probably a little light under scrutiny but in the run of things an interesting twist) and I’m not going to spoil it. Perhaps it pushed the last couple of episodes towards sentimentality but over-all it worked.

Du-il is humanity within the householdThese last episodes pushed this to review and despite being vampire light I really did enjoy this as a running show – I enjoyed it enough to watch the whole run – and this was down to the characters more than anything. I also want to quickly mention the soundtrack, which was a hotchpotch but had some shining moments – especially the (twice used) lounge version of The Prodigy’s Breathe. The series is out there, available, with subs but it is one to really search for. The Third Rock from the Sun simile probably works best, but bear in mind it is uniquely Korean and thus quite different to Third Rock in many ways, and I give this, overall, 6 out of 10.

The imdb page is here

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