Posts Tagged ‘world’

20
Jul

Vampire Hunter D – review

   Posted by: Taliesin_ttlg    in Taleisin's Vamp Movie Reviews

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dvdDirectors: Toyoo Ashida & Carl Macek

Release date: 1985

Contains spoilers

This was one of the first anime’s I knowingly saw (series such as Battle of the Planets were not billed as anime when they first aired in the UK and some were severely cut). I was lucky, therefore, that my introduction was with a film deemed as one of the finer examples of its genre. That said, looking back, has it stood the test of time?

The film opens with a message that we are in the distant future and the world has been taken over by mutants and demons. Indeed we are in the year 12090 AD – some 10,000 years following a devastating nuclear war. The world was conquered by vampires who split the lands into fiefdoms where they rule.

Doris LangDoris Lang (Michie Tomizawa/Barbara Goodson) is making the rounds of her farm at night. In an orchard she sees some kind of mutant beast and shoots at it. It flees and she whistles Luke – her horse – to chase it down. She fires a killing shot eventually but, as she checks the corpse it rears up and latches on to Luke. She manages to use her electro-whip to get it off her mount and then kill it.

Magnus appearsPoor old Luke hasn’t got a chance in this film, to be fair, for suddenly a giant werewolf rears out of the dark, catching the horse in its fearsome teeth. It reaches a claw out and removes the cross from Doris’ neck. Suddenly she is faced with the imposing vision of Count Magnus Lee (Seizō Katō/Jeff Winkless). The name Magnus Lee was an amalgam of Count Magnus from the story by MR James and Christopher Lee. Doris shoots at him but he is protected by some form of force shield – he opens his cloak to her.

D on his cyborg horseOut of the wasteland a figure rides – it is D (Kaneto Shiozawa/Michael McConnohie). Hideuki Kikuchi, the author of The Vampire Hunter D books, states that he gained the idea of D’s image having seen Phil Collins in a video, dressed as a gunslinger with samurai gear. From such an ignoble start a character was created, and subsequently a world that does seem to amalgamate the Wild West (a favourite post apocalyptic look, to be fair), Japanese culture and the Hammer vision of an Eastern European village. D reaches a point in his journey where he is confronted by Doris, who attacks him with her electro-whip. When he rebuffs the attack without even moving she begs for forgiveness and asks to hire him, she was checking that he was no coward and can offer him three meals a day and her body.

MagnusShe lives on the farm with her little brother Dan (Keiko Toda/Lara Cody) – who doesn’t know she has been bitten. They head into the nearby town for provisions and Doris is confronted by the mayor’s son Greco (Yūsaku Yara/Steve Bulen). He wants Doris for himself and is willing to use his influence to help her – if she agrees to be his. She (physically) rebuffs him and so he tells the town that she has been bitten. The town turns against her and the mayor wants her sent to an internment camp. Friendly Dr Fehring (Motomu Kiyokawa/Steve Kramer) suggests this would be a mistake. The camp was not fit for human inhabitation when it was open and has been shut 50 years after a girl in Doris’ position was sent there and the Count gained retribution by slaughtering 31 villagers. Meanwhile D has a man to man chat with Dan.

Left HandWhen alone a voice asks what is going on with D. Whilst we do not see it at that point it is actually his left hand (Ichirō Nagai/Kirk Thornton). Left Hand is one of the more intriguing aspects of the film. D’s left hand seems to be an independent creature with thoughts and abilities, as well as a face. This film does not explain it further (though the next one does to a degree and the books might further) but it gives him offensive and defensive advantages as well enjoying verbally baiting him.

D always returns to his fangsI don’t want to go much further into the story. D is convinced the vampires will come for Doris that night as it is the Blood Moon the following night – a night on which vampires believe the blood of a woman will be unclean. When Lee’s daughter Lamika (Satoko Kifuji/Edie Mirman) and henchman Rei Ginsei (Kazuyuki Sogabe/Kerrigan Mahan) turn up at the farm we discover that D is a dhampire (or dampiel as it seems to be pronounced) – the child of a vampire and a mortal. There are hints through that D is the son of Dracula. In this Dracula is painted as a far more benevolent creature than perhaps other versions and D believes his father would have thought the vampires have lost their way and are wrong to treat humanity like cattle. As Left Hand points out, when the chips are down D always returns to his fangs.

vampire's castleThe story itself produces plot and counter plot as characters feel they are betrayed and betray back – though at its most basic level it is fairly simple – storm the castle, rescue the girl and destroy the Count. There is a candle whose incense will paralyse any with vampiric blood. Clearly crosses and garlic should be an issue but the vampires have plenty of henchmen to remove such obstacles. D is partially, at least, immune to the effects of sunlight and thus can function during the day when swaddled in his cloak and hat – the cloak can actually do neat things like cling onto pit edges for him.

The animation feels a little bit of a let down now, mainly because it hasn’t aged that well. There is a remastered version (not the version I have) and I do wonder whether that would improve things. However the story lifts above the animation and it would be churlish of me to turn on the film simply because it looks a little old now. This is a great little piece of anime – but it has been surpassed. Nevertheless it deserves a strong 7.5 out of 10.

The imdb page is here.

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24
Jun

Dunraven Road – review

   Posted by: Taliesin_ttlg    in Taleisin's Vamp Movie Reviews

Author: Caroline Barnard-Smith

First Published: 2009

Contains spoilers

The Blurb: “In the sleepy backwater of Dunraven Road, a group of hedonistic friends are trapped in a deadly prison of their own making. When Zach, their enigmatic leader, brings his long term plans to fruition and paves the way for a sadistic vampire cult, their fragile world begins to break apart. Fuelled by dangerous passions and an insatiable craving for ‘red’. The group must decide whether to succumb to the sweet lure of the abyss, or stand and fight for their very survival.

The review: In her acknowledgments, Caroline Barnard-Smith refers to her own book as “this strange little novel” and indeed it is that – though that is not necessarily a bad thing. Indeed this is quite an unusual piece. As the novel begins we are in a world (despite senior citizens being killed in a manner that the press calls Vamp Attacks) focused upon the beginnings of a fledgling vampyre type group – one that we know will become murderous at some point.

Most of these young people are hooked to a drug called red – a liquid hallucinogen with very addictive qualities and the thickness and consistency of blood (we later discover the source of this). However what I found was that the characters were fairly non-sympathetic. Zach is a sadistic and petty character, his friend Justin came across as a doormat, the two girls Kirsty and Sapphire come across as victims and a criticism could be that there isn’t a strong (human) female character. We also have Paul, a junky and self destructive artist, unrequitedly in love with Sapphire and beholden financially to Zach, his dealer.

The non-sympathetic nature of the characters fit within the bleak worldview of the disillusioned and disavowed generation X, but made it difficult to find one to pin your attention to. Paul and Sapphire are placed in the centre of our world view as a reader but I did struggle to care for them. Enter the vampires.

We end up with two groups, the Ancient Order are evil vampires manipulating events for their own ends. These are our real vampires (as opposed to the good vampires I will mention, rather than as opposed to the mortal wannabes). The lore is sparse:

“…‘Shouldn’t the sun burn you, or something?’

“‘Myths and fables… …Same goes for garlic and wooden stakes in the heart. Fire will hurt us, or starvation.’”

We also discover that a trauma to the brain is also deadly. The vampires can take on the form of another person and they use red as a way of making victims placid. However the Ancient Order are not the force they once were. There are few new vampires created and feeding in a world where technology seems pitied against them, cameras line the streets and DNA can be tested is proving more and more difficult. They are shades of what once they might have been.

The kin are good vampires – actually described as vegan. They subsist on a concoction made of fruit juice and herbs. In fact the concoction actually seems to have kept them rather healthy. They fear the Ancient Order and hide in plain sight amongst humanity. There were interesting characters amongst the vampires who, perhaps, could have withstood some more exploration – though their enigmatic nature was perhaps the point.

There is a very strange and unusual form of slaying that is introduced but I will not spoil the book by saying any more. Its unusual nature, however, fit in well with a book best described as quirky. 6 out of 10.

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17
Jun

Eternal Vigilance – review

   Posted by: Taliesin_ttlg    in Taleisin's Vamp Movie Reviews

Author: Gabrielle S Faust

First Published: 2008

Contains spoilers

The Blurb: After a century of Sleep, Tynan Llywelyn has awoken to find the world he once knew utterly obliterated by a war of epic proportions. In a new apocalyptic society, bitterly divided by magic and technology, the Tyst Empire has found that a hundred years of global domination is not enough to sate their thirst for power. They have discovered the secret of the vampire race and have designed a plan to seize their own sinister form of immortality with the help of an ancient vampiric god.

The Phuree, a rebel uprising that has been engaged in a bloody war with the Tyst since the beginning of the new regime, have obtained the knowledge of Lord Cardone’s plans and have allied themselves with the remaining Immortal clan. The powerful Phuree oracle, Nahalo, has had a vision that in Tynan alone lies the power to defeat the vampiric god and the dictatorship.

Cast into the midst of a global war between magic and technology, mortals and vampires, Tynan must make the harrowing decision to save the world he bitterly detests or stand and watch as humanity is destroyed by a primordial evil beyond all imagining.

The Review: The first thing to note about Eternal Vigilance is that it is a sci-fi novel. However, unlike many a sci-fi vampire story we do not have a sci-fi explanation for vampirism, these are not mutations or virus infected creatures, what we have are undead in the good old fashion sense of vampires. As a result we have a novel that blends the gothic and science fiction and that blend works well.

Faust’s writing style is richly gothic, but she doesn’t fall into the trap of all too flowery prose, rather she spreads a splendidly velvet web over her story. The story itself encompasses several areas of sci-fi and fantasy blended together; the world Tynan wakes to is best described as post-apocalyptic, the glimpse we get of the Tyst Empire is a cyberpunk society (at least amongst the elite) that has become totalitarian and then we have the spiritual, ‘new age’ rebels who have embraced magic, the Phuree. These disparate societal strands work well together creating a future vision that works.

As for the vampires we know that they are dragged into a sleep they cannot resist with the sun, we know that massive injury can finish them off but blood repairs wounds and drinking a creature’s blood gives the vampire the memories of that creature. We know they can fly and hide openly amongst humans as well as read minds. I felt that the opening chapter, describing Tynan stirring after 100 years of vampiric slumber, to be one of the better examples of relating a vampiric awakening. However, to many degrees, through the length of the novel we are still learning of the vampires’ capabilities.

This introduces my minor issue with the novel, by the time I reached the end we knew a little of the vampires and had been introduced to the new world orders but I wanted more. As the story ended I felt a little cheated, I wanted to immerse further into this world and explore further the story presented. I felt as though I had been introduced to a vista but wanted to get to know the world further. Luckily, at time of review, book 2 is available also.

I enjoyed immensely the voice of the novel – it is written in first person from Tynan’s point of view – all the more interesting as he is a creature struggling with his own sanity.

Rich, gothic prose encapsulating a sci-fi heart, I want more. 7 out of 10.

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